Elena Dragalina-Chernaya

Higher School of Economics, Moscow

Logical Hylomorphism, Internal Relations, and Analyticity

3 May 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: The key concern of this paper is the placing of several approaches to internal relations, analyticity, and logicality in a framework of the distinction between substantial and dynamic models of logical hylomorphism. I’ll start with the historical roots of logical hylomorphism, i.e., the dichotomy of formal and material consequences in “Parisian” and “English” traditions in the fourteenth century logic, and from there I’ll move forwards to its counterparts in the modern logic. The first tradition (e.g., John Buridan, Albert of Saxony, Marsilius of Inghen) holds that a consequence is formal if it is invariant under all substitutions for its categorematic terms. According to the second tradition (e.g., Richard Billingham, Robert Fland, Ralph Strode, Richard Lavenham), a formal consequence is valid when the consequent is contained (formally understood) in the antecedent. Thus, the English tradition appeals to the psychologically loaded category of understanding rather than syntactic structures or semantic variations. However, it does not mean that the English Scholastics psychologized formal consequence since the formal understanding grounds formality not only on our power of understanding (intelligibility or imaginability) but also on internal relations. For Scholastics, internal relations are expressed by the eternal truths rooted in potential being. Following Luciano Floridi (2017), I suggest considering, in contrast, Kantian transcendental logic as a logic of design rather than a system of consequences with transcendental limitations grounded on potentiality. Then, I’ll discuss some problems with substantial (model-theoretical) approach to formal relations. Specifically, I’ll address Tarskian permutation invariance criterion for binary quantifiers and Ludwig Wittgenstein’s claim that binary colours (e.g., reddish green) possess formal structures. I’ll try to argue that the interactive dynamic of information processing provides a unified game-theoretical framework for dealing with binary formal relations. Finally, I’ll address the discussion on the analyticity of statements about colour relations. Wittgenstein’s approach to internal relations in his Remarks on Colour is argued for as an attempt of modelling a balance between logic and the empirical.

We are glad to announce that Paulo Borges was awarded the Premio Ibn Arabi – Taryumán 2019!

The award ceremony will be held in Ávila, Spain on the next 11th of May. The ceremony is part of the «International Symposium Ibn Arabi de Mias-Latina: Poesía y Percepción Interior (Shi’r wa-shu’ûr) en Ibn Arabi y la Literatura Mística» organized by Universidad de la Mística (Ávila, Spain) where Paulo Borges is giving the opening conference.

 

The conference is allso hosting the presentation of his newest book Presença Ausente. A Saudade na Cultura e no Pensamento Portugueses.

 

More information on the event here.

 

Constantine Sandis

University of Hertfordshire

If A Lion Could Speak…

11 April 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: How can we be confident that we have correctly understood someone – or that they, in turn, have understood us? Wittgenstein quipped that “if a lion could speak, we could not understand him”. The remark has attracted much attention, both friendly and hostile, over the past 65 years. This talk clarifies what Wittgenstein meant, rejecting a number of objections and misinterpretations along the way. I conclude that the remark is not really about animals but, rather, the conclusion of a far more interesting discussion concerning the nature and limits of understanding others.

Vitalij Dolgorukov

Higher School of Economics, Moscow

Irony, Deception and Lying: an Epistemic Taxonomy for Assertions

5 April 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: We aim to present a taxonomy for assertions, describing both cooperative and non-cooperative types of the speaker’s behaviour.  Our model involves the combination of 4 parameters of assertions: its relation to reality, its relation to the shared speaker’s and hearer’s doxastic attitudes, its relation to speaker’s doxastic attitudes, and the degree of a speech act indirectness. The different combinations of these parameters yield 20 types of assertions, including different forms of lying, deceiving, irony and misleading. Also, we will demonstrate that our approach can shed some light on some other issues in pragmatics: the distinction between generalized and particularized implicatures, logical properties of the common ground, an explanation for the hierarchical order of Gricean maxims and some others.

Ricardo Miguel

LANCOG, University of Lisbon

Higher Standards for the Right Labels

29 March 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: The Vegan Trademark, by The Vegan Society, is used to certify that products are suitable for vegans. Despite the benefits of this vegan label, I argue that the standards of the labelling practice should be changed, since the core reason that excludes some products from having the label is not excluding other products. I begin with what veganism is, what the related labelling standards are and with a description of two cases. Then I defend that the labelling practice treats those like cases differently. I conclude by saying how the standards should be changed in agreement with veganism.

Diogo Santos

LANCOG, University of Lisbon

Amending Assessment-Sensitivity

22 March 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: According to Dummett (1978) to understand the point of truth is to understand the normative role it plays in the governing of our asserting practices. Dummett’s approach has influenced Assessment-sensitivity views (AS) (e.g. Egan, 2007; MacFarlane, 2011, 2014). AS holds that truth and, hence, the correctness of making and withdrawing assertions is assessment-sensitive. What practically distinguishes this theory from its rivals is its claim about the normative role of truth in the withdrawal of assertions. According to the view, an agent in C2 is obliged to retract an (unretracted) assertion that p made in context C1 if p is not true as originally used (in C1) and assessed from C2. Crucially, the retraction rule renders that an agent is sometimes obliged to retract an assertion that was correct for her to make. Recent experimental data (Dinges & Zakkou, Fintel & Gillies, Kneer, Knobe & Yalcin, Marques) on discourse about personal taste and epistemic modals show that AS’s retraction predictions are in conflict with ordinary speakers’ intuitions. This greatly undermines the purported empirical support for AS. The experimental findings indicate that there is no empirical support for a retraction rule for assertions and that retraction and truth come apart. In this paper I diagnose why AS’s predictions conflict with the empirical data and explain what is wrong with the theory’s depiction of the normative role of truth in the withdrawal of assertions. The diagnosis importantly relies on the claim that retraction is not the only exercitive that agents may use to withdraw the assertoric commitments undertaken by the original assertion – something that those involved in the debate have overlooked.

Raimundo Henriques

LANCOG, University of Lisbon

Architectural Functionalism and Wittgenstein

15 March 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: Intuitively, the austerity of Wittgenstein’s house (1926-28) can be explained by the naïve functionalist hypothesis (NFH), according to which, for all x, if x is a constituent of the house, then x has a specific function. This hypothesis allows for an interesting connection between the house and the Tractatus Logico-Philosophicus (1921), but the analogy breaks down for lack of support in architectural theory. Architectural functionalism will, hence, be considered in its own terms. Three clarifications will be provided, yielding the existence of (at least) eight different theses designated by ‘functionalism’. It will be argued that atomistic functionalism—the kind suggested by the NFH—is either dependent upon the highly problematic notion of ‘structure’ or must be made subsidiary to functionalism about whole buildings (rather than parts of them)—holistic functionalism. Two objections to holistic functionalism will be presented and answered. It will be argued that, with some qualifications, this sort of functionalism is a good candidate to explain Wittgenstein’s architectural endeavors.

António Lopes

LANCOG, University of Lisbon

Sense and Sensibility: Musical Meaning, Expression and Sincerity in Atonal Serialism

8 March 2019, 16:00

Faculdade de Letras de Lisboa

Sala Mattos Romão (Departamento de Filosofia)

Abstract: Steven Cavell famously asked “Must We Mean What We Say?” (1969). Applied to twelve-tone, serial music, the question would be: must serial composers mean what they write? This is due to features and limitations of the serial style or idiom. But are not composers responsible for choosing a style, at least since the 20th century, and thus, to be criticized if the idiom they chose cannot express most of the central musical meanings usually expressible in almost all other musical idioms, from folk music to contemporary non-serial classical music? I will rely mainly on the critique of serialism by Diana Raffman, and on the facts about the limits of musical cognition and memory to which results in recent psychology of music point to, but also on arguments by Roger Scruton, before presenting mine. If the critiques are convincing and those limitations are indeed a fact about human psychology, then, given the prestige and dominance of serialism as the only new “serious” compositional style during the three last quarters of the previous century, in spite of its rejection by the vast majority of a sophisticated public such as the average one for classical music, we may ask: might not artistic sincerity or integrity be at stake in the acceptance of an ineffective idiom such as serialism as the only possible next step in the evolution of music by composers, academics, concert managers, critics, minus the public (and possibly most performers)? I’ll claim that it may, in at least two senses, one of which is relevant to the topic of artistic value and authorial creative merit at the “high art” level at issue here.