Elisabete M. de Sousa

Research Group: Praxis

PhD in Literary Theory, on musical criticism as a form of art in the first half of the 19th century. Member of CFUL since 2007. Former post-doctoral fellow at CFUL (2008-5). Team member in a project on Translation of Kierkegaard’s works (PTDC/FIL-FIL/100281/2008, concluded in 2013) and the recently launched Experimentation and Dissidence (PTDC/FIL-FIL/1416/2014). Her research interests and many publications cover Philosophy (focus on Kierkegaard), Aesthetics (focus on Musical Aesthetics and on relation to Ethics). 

E-mail: elisabetemdesousa@gmail.com

<Ciência Vitae>

Selected Publications

Articles and Book chapters:

2023. “Simmel e Kierkegaard. Estádios no Caminho do Viajante.” Visualidades. Revista do Programa de Pós-Graduação em Arte e Cultura Visual. Dossiê “Estéticas das Viagens”, vol. 20. Brasil, Goiânia. <https://doi.org/10.5216/v.v20.71236>

2021. Philosophy as Experimentation, Dissidence and Heterogeneity. Justo, J. M.; Silva, F.M.F. & Sousa, E. de (eds..) Newcastle upon Tyne: Cambridge Scholars Publishing, 518 pp. ISBN: 978-1527-572355.

2020. “Quando o Bom Conhecedor de Almas se Torna Psicólogo Experimentante”. Estudos e Pesquisas em Psicologia, vol. 20, n. 4, pp. 1020-1033. http://dx.doi.org/10.12957/epp.2020.56648

2020. “Em torno da heterogeneidade da instância autoral kierkegaardiana.” Revista Filosófica São Boa Ventura, v. 14, n. 1, pp. 13-34.

2019. “O corpo do virtuoso: quando apresentar é representar”, Dedalus, número especial 2018/2019, Palavra-Corpo-Música—Word-Body-Music, pp. 113-134.

2019. “Wollstonecraft, an Enlightened Reader.” In Questioning the Oneness of Philosophy, CFUL, pp. 157-170.

2019. “Kierkegaard, the Spirit of Time and the Individual: implications for clinical psychology,” com Ana Maria Calvo Feijoo and Myriam M. Protasio. Journal of Health and Environmental Research,Vol. 4, Issue 3, September 2018, pp. 84-90. doi=10.11648/j.jher.20180403.11

2017.“Arte y experimentación, o cómo superar la crisis de representación,” El Arco y la Lira. Tensiones y Debates, 5, pp. 165-180.

2016. “Either-Or as a case of experimentation in the sub-genre Bildungsroman.” In From Kierkegaard to Hamann. CFUL, pp. 99-111.

2015. “Sobre o Estético em Kierkegaard”. Philosophica 45, April, pp. 109-126.

2015. “Musical controversies in Nietzsche and Kierkegaard”. In Nietzsche and German Idealism and its Critics. Ed. by Katya Hay and L. R. dos Santos. Berlin, New York: Walter De Gruyter, Chapter 12, pp. 246-257.

2013. “The Idea of Virtuosity in Kierkegaard’s Thought”. Rivista di Filosofia Neo-Scolastica, n. 3-4, pp. 987-1000.

2013. “Repetition in Constant Reference to Liszt”. In Kierkegaard and the Challenges of Infinitude. Philosophy and Literature in Dialogue. Ed. by José Miranda Justo et al.. CFUL, pp. 39-49.

2008. “Kierkegaard´s Musical Recollections”. In Kierkegaard Studies. Yearbook 2008. Ed. by N. J. Cappelørn et al. Walter De Gruyter, pp. 85-108. https://doi.org/10.1515/9783110205350.1.85

2008. Formas de Arte: A Prática Crítica de Berlioz, Kierkegaard, Liszt e Schumann. Lisboa: CFUL.

Translations:

2023. Søren Kierkegaard, Dezoito Discursos Edificantes. Trans. Intro. and notes. Lisboa: Relógio d’Água, 455 pp.

2020. Søren Kierkegaard, “Uma observação fortuita com respeito a uma particularidade de Don Juan”, Philosophica 55-56, 2020, pp. 191-203.

2013 e 2017. Søren Kierkegaard, Ou-Ou. Um Fragmento de Vida. Primeira e Segunda Partes, Relógio d’Água.

2017. Mary Wollstonecraft, Uma Vindicação dos Direitos da Mulher, Antígona.

2009. Søren Kierkegaard, Temor e Tremor, Relógio d’Água.