{"id":3195,"date":"2025-04-23T10:05:25","date_gmt":"2025-04-23T09:05:25","guid":{"rendered":"https:\/\/cful.letras.ulisboa.pt\/praxis\/?p=3195"},"modified":"2025-04-23T11:28:39","modified_gmt":"2025-04-23T10:28:39","slug":"praxis-seminar-2024-25-s15","status":"publish","type":"post","link":"https:\/\/cful.letras.ulisboa.pt\/praxis\/praxis-seminar-2024-25-s15\/","title":{"rendered":"Praxis Seminar: Research Colloquium in Practical Philosophy 2024\/25, Session 15"},"content":{"rendered":"<p>Ricardo Mendoza-Canales<\/p>\n<p>Praxis-CFUL, University of Lisbon<\/p>\n<h5><em><strong>What Is An Act of Resistance?<\/strong><\/em><\/h5>\n<p>29 April 2025, 17h00 (Lisbon Time \u2014 GMT+1)<\/p>\n<p><strong>Sala Mattos Rom\u00e3o (Room C201.J \u2013 Department of Philosophy)<\/strong><\/p>\n<p>School of Arts and Humanities \u2013 University of Lisbon<\/p>\n<p>&nbsp;<\/p>\n<p><strong>Abstract<\/strong><\/p>\n<p>In his conference \u201cWhat Is the Creative Act?,\u201d Gilles Deleuze defines the work of art as <em>counter-information<\/em>, closely linking artistic creation with the act of resistance. Both, he argues, short-circuit established positions and hegemonic discourses propagated by systems of communication and information. In this paper, I argue that Gilbert Simondon operates as a kind of gravitational force in Deleuze\u2019s formulation\u2014an invisible yet active presence whose influence has remained largely unacknowledged. To unpack the enigma of Deleuze\u2019s definition, I proceed in three steps. First, I offer a close reading of the conference to trace the train of thought that binds together the creative act, the work of art, and the act resistance as counter-information. Second, I turn to Giorgio Agamben\u2019s commentary on the conference to examine his interpretation of resistance as <em>inoperativity,<\/em> focusing in particular on his brief but suggestive reference to Simondon. Finally, I return to Simondon\u2019s cybernetics-inspired account of signification. For Simondon, resistance involves the significative inscription of action and emotion within the broader, reticular structure of the transindividual\u2014a form of signification capable of resonating collectively across time. Any human act that expresses itself creatively through material concretion carries within it a potentiality capable of continuing to transform\u2014through resonance\u2014both the individual and their milieu. I conclude by suggesting that Deleuze\u2019s definition of the work of art as an act of resistance implicitly relies on Simondon\u2019s philosophical framework\u2014particularly his account of ontogenesis as a fundamentally informational process.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ricardo Mendoza-Canales Praxis-CFUL, University of Lisbon What Is An Act of Resistance? 29 April 2025, 17h00 (Lisbon Time \u2014 GMT+1) Sala Mattos Rom\u00e3o (Room C201.J \u2013 Department of Philosophy) School of Arts and Humanities \u2013 University of Lisbon &nbsp; Abstract In his conference \u201cWhat Is the Creative Act?,\u201d Gilles Deleuze defines the work of art [&hellip;]<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"activitypub_content_warning":"","activitypub_content_visibility":"","activitypub_max_image_attachments":4,"activitypub_interaction_policy_quote":"","activitypub_status":"federate","footnotes":""},"categories":[1],"tags":[],"class_list":["post-3195","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/posts\/3195","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/comments?post=3195"}],"version-history":[{"count":2,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/posts\/3195\/revisions"}],"predecessor-version":[{"id":3202,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/posts\/3195\/revisions\/3202"}],"wp:attachment":[{"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/media?parent=3195"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/categories?post=3195"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/cful.letras.ulisboa.pt\/praxis\/wp-json\/wp\/v2\/tags?post=3195"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}