Hugo Luzio

Academic Degree:
MA
Professional Category:
PhD Student

Research group: LanCog
I am currently studying for a PhD in Philosophy at the School of Arts and Humanities of the University of Lisbon, where I previously obtained my BA (2018) and MA (2022), with a dissertation on animalism. I work primarily in Metaphysics, with some incursions in the Philosophy of Art. I am mainly interested in the problem of personal identity and the ontology of music. I am also interested in the metaphysics of time and bioethics. When I am not doing philosophy, I play drums with Them Flying MonkeysCAIO and Hause Plants.

E-mail: hugo.luzio@campus.ul.pt.

Selected Publications

(Forthcoming) ‘Person Conativist Animalism’

(Forthcoming) ‘O Animalismo e o Problema da Dicefalia’

2024, ‘O Problema dos Pensadores Artificiais: Um Debate Metafísico’, Revista Portuguesa de Filosofia 79, no. 4, pp. 1777–1802.

2023, ‘O Que é o Estilo Artístico?’, in Vítor Guerreiro (org.), Carlos João Correia (org.) and Vítor Moura (org.), Quando Há Arte! Ensaios de Homenagem a Maria do Carmo d’Orey, pp. 59-81, Lisbon: E-Primatur.

2022, ‘O Paradoxo da Ficção: Será Convincente a Solução do Faz de Conta?’, Philosophy@Lisbon 13, pp. 3-14.

2019, ‘The Ontology of Rock Music: Recordings, Performances and The Synthetic View’, Philosophy and Society, Vol. 30, 1; forthcoming.

2017, ‘Is Animalism Undermined by Conjoined Twinning Cases?’, Laterális – The University of Reading Journal of Undergraduate Philosophy, Supplementary Vol. 1, pp. 2-11.

2016, ‘A Continuidade Física Garante a Persistência Pessoal no Tempo’, Revista Portuguesa de Filosofia, Vol. 72, 2-3, pp. 699-724. Prémio de Ensaio Filosófico da Sociedade Portuguesa de Filosofia 2015.

2015, ‘Sonicismo Tímbrico e Instrumentalismo: Uma Disputa Ontológica’, Revista Philosophica, Vol. 46, pp. 135-147. Prémio Professor Doutor Joaquim Cerqueira Gonçalves 2015.

I have also published a translation of Stephen Yablo’s Paradox Without Self-Reference (1999) in the website Crítica na Rede, which can be found here.

 

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