Christine Reeh-Peters (born as Christine Reeh) is a German film director, curator, and film philosopher, currently based in Karlsruhe, Germany.
She has studied film at Escola Superior de Teatro e Cinema in Lisbon. Additionally she holds a M.A. in Philosophy of Art and a PhD from the University of Lisbon granted by the Portuguese FCT Foundation.
In her dissertation entitled „The Solacristic System“ she has developed an ontology of film mainly based on Martin Heidegger and the movie »Solaris« by Andrei Tarkovsky.
She has directed several artistic documentaries, critically acclaimed and awarded.
Since 2011 she is an associate researcher at the Centro de Filosofia of the University of Lisbon and has been between 2014-2016 a lecturer at Peter Behrens School of Arts, Düsseldorf, and a project manager at the ZKM | Center for Art and Media Karlsruhe. Currently she is an assistant lecturer for film at the Karlsruhe University of Art and Design and managing director of the Kinemathek Karlsruhe.
Reeh-Peters is the co-editor of »Thinking Reality and Time Through Film«, Cambridge Scholar Publishing, 2017. She has further published among other essays like “Essere nel Cinema” (in: »Fata Morgana – Quadrimestrale di Cinema und Visioni«, Nr. 21, Pellegrini Editore, Italy, 2013), and “O Cinema Total e o Desejo de Morte em Wagner [Total Cinema and Death-Drive in Wagner’s Total Work of Art]” (in: Carlos Joao Correia (Ed.), »Wagner. Musica e Pensamento«, Centro de Filosofia, University of Lisbon, 2014/2015). Currently she prepares a further edition of an omnibus volume on philosophy of film entitled „The Real of Reality“.
As a producer Reeh-Peters is known for the films »E Agora? Lembra-Me« by Joaquim Pinto (2013 – Special Jury Prize at the Locarno Film Festival) and »Eden’s Ark« by Marcelo Felix. Her filmography as a director includes »The Chronicles of Polyaris« (2015 – Special Prize at VII International Film Festival Northern Character in Murmansk), »Mother Fatima« (2009), »Kinotel« (2009) and »Waiting for Europe« (2006 – Grand Prize Erasmus Euromedia Awards in Vienna and Best Documentary at the New York Independent International Film and Video Festival).